株式会社極東書店トップ ＞ 商品一覧 ＞ Filming the Revolution : North American Cinema and Mexico, 1911 - 1917. Tr. by J. King.
商品詳細
Filming the Revolution : North American Cinema and Mexico, 1911 - 1917. Tr. by J. King.
・ISBN 978-1-85984-646-9 hard GB£ 70.00
￥22,176.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
・ISBN 978-1-85984-348-2 paper GB£ 15.99
￥5,065.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | De Orellana, Margarita, |
|---|---|
| 出版社 | (Verso, UK) |
| 出版年月 | 2002 |
| ページ数 | 240 pp. |
| 言語 | ENG |
| ニュース番号 | ＜479-L364＞ |
解説
On January 3, 1914 Pancho Villa became Hollywood's first Mexican superstar. In signing an exclusive movie contract, Villa agreed to keep other film companies from his battlefield, to fight in daylight wherever possible, and to reconstruct battles if the footage needed reshooting.
Through memoir and newspaper reports, Margarita De Orellana looks at the documentary film-makers who went down to cover events in Mexico. Feature film-makers in Hollywood portrayed the border as the dividing line between order and chaos, in the process developing a series of lasting Mexican stereotypes-the greaser, the bandit, the beautiful senorita, the exotic Aztec. Filming Pancho reveals how Mexico was constructed in the American imagination and how movies reinforced and justified both American expansionism and racial and social prejudice.
Through memoir and newspaper reports, Margarita De Orellana looks at the documentary film-makers who went down to cover events in Mexico. Feature film-makers in Hollywood portrayed the border as the dividing line between order and chaos, in the process developing a series of lasting Mexican stereotypes-the greaser, the bandit, the beautiful senorita, the exotic Aztec. Filming Pancho reveals how Mexico was constructed in the American imagination and how movies reinforced and justified both American expansionism and racial and social prejudice.