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Culture Wars in Brazil : The First Vargas Regime, 1930 - 1945.
・ISBN 978-0-8223-2708-0 cloth US$ 42.95
¥10,062.- (税込) ※(※)価格はご注文時の参考価格となります。
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お気に入り
★★★
・ISBN 978-0-8223-2719-6 paper US$ 28.95
¥6,782.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Williams, Daryle, |
|---|---|
| 出版社 | (Duke U. Pr., US) |
| 出版年月 | 2001 |
| ページ数 | 312 pp. |
| 言語 | ENG |
| ニュース番号 | <475-1408> |
解説
In Culture Wars in Brazil Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Getulio Vargas (1883-1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state's power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered on the bragging rights to brasilidade-an intangible yet highly coveted sense of Brazilianness.
Williams draws on a rich selection of textual, pictorial, and architectural sources in his exploration of the dynamic nature of educational film and radio, historical preservation, museum management, painting, public architecture, and national delegations organized for international expositions during the unsettled era in which modern Brazil's cultural canon took definitive form. In his close reading of the tensions surrounding official policies of cultural management, Williams both updates the research of the pioneer generation of North American Brazilianists, who examined the politics of state building during the Vargas era, and engages today's generation of Brazilianists, who locate the construction of national identity of modern Brazil in the Vargas era.
By integrating Brazil into a growing body of literature on the cultural dimensions of nations and nationalism, Culture Wars in Brazil will be important reading for students and scholars of Latin American history, state formation, modernist art and architecture, and cultural studies.
Williams draws on a rich selection of textual, pictorial, and architectural sources in his exploration of the dynamic nature of educational film and radio, historical preservation, museum management, painting, public architecture, and national delegations organized for international expositions during the unsettled era in which modern Brazil's cultural canon took definitive form. In his close reading of the tensions surrounding official policies of cultural management, Williams both updates the research of the pioneer generation of North American Brazilianists, who examined the politics of state building during the Vargas era, and engages today's generation of Brazilianists, who locate the construction of national identity of modern Brazil in the Vargas era.
By integrating Brazil into a growing body of literature on the cultural dimensions of nations and nationalism, Culture Wars in Brazil will be important reading for students and scholars of Latin American history, state formation, modernist art and architecture, and cultural studies.