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Fur Nation : From the Beaver to Brigitte Bardot.
・ISBN 978-0-415-15873-2 hard GB£ 171.99
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・ISBN 978-0-415-15874-9 paper GB£ 42.99
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納品価格につきましては書籍の入荷時点で確定となります。
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-0-203-99546-4
| 著者・編者 | Nadeau, Chantal, |
|---|---|
| シリーズ | Writing Corporealities |
| 出版社 | (Routledge, UK) |
| 出版年月 | 2001 |
| ページ数 | 250 pp. |
| 言語 | ENG |
| ニュース番号 | ＜472-L193＞ |
解説
Fur Nation traces the interwoven relationships between sexuality, national identity, and colonialism. Chantal Nadeau shows how Canada, a white settler colony, bases its existence and its nationhood on a complex sexual economy based on women wrapped in fur.
Nadeau traces the centrality of fur through a series of intriguing case studies, including:
* Hollywood's take on the 330 year history of the Hudson Bay Company, founded to exploit Canada's rich fur resources
* the life of a postwar fur fashion photographer
* a 1950s musical called Fur Lady
* the battle between Brigitte Bardot's anti-fur activists and the fur industry.
Nadeau highlights the connection between 'fur ladies' - women wearing, exploiting or promoting furs - and the beaver, symbol of Canada and nature's master builder. She shows how, in postcolonial Canada, the nation is sexualised around female reproduction and fur, which is both a crucial factor in economic development, and a powerful symbol through which the nation itself is conceived and commodified. Fur Nation demonstrates that, for Canada, fur really is the fabric of a nation.