株式会社極東書店トップ > 商品一覧 > New Deal Modernism : American Literature and the Invention of the Welfare State.
商品詳細
New Deal Modernism : American Literature and the Invention of the Welfare State.
・ISBN 978-0-8223-2576-5 cloth US$ 117.95
¥27,635.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
・ISBN 978-0-8223-2562-8 paper US$ 39.95
¥9,359.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Szalay, Michael, |
|---|---|
| シリーズ | Post-Contemporary Interventions |
| 出版社 | (Duke U. Pr., US) |
| 出版年月 | 2000 |
| ページ数 | 320 pp. |
| 言語 | ENG |
| ニュース番号 | <468-1921> |
解説
In New Deal Modernism Michael Szalay examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s, and, conversely, what difference this revised modernism made to the New Deal's famed invention of "Big Government."
Szalay situates his study within a liberal culture bent on security, a culture galvanized by its imagined need for private and public insurance.
Taking up prominent exponents of social and economic security-such as Franklin Delano Roosevelt, John Maynard Keynes, and John Dewey-Szalay demonstrates how the New Deal's revision of free-market culture required rethinking the political function of aesthetics. Focusing in particular on the modernist fascination with the relation between form and audience, Szalay offers innovative accounts of Busby Berkeley, Jack London, James M. Cain, Robert Frost, Ayn Rand, Betty Smith, and Gertrude Stein, as well as extended analyses of the works of Ernest Hemingway, John Steinbeck, and Richard Wright.
Szalay situates his study within a liberal culture bent on security, a culture galvanized by its imagined need for private and public insurance.
Taking up prominent exponents of social and economic security-such as Franklin Delano Roosevelt, John Maynard Keynes, and John Dewey-Szalay demonstrates how the New Deal's revision of free-market culture required rethinking the political function of aesthetics. Focusing in particular on the modernist fascination with the relation between form and audience, Szalay offers innovative accounts of Busby Berkeley, Jack London, James M. Cain, Robert Frost, Ayn Rand, Betty Smith, and Gertrude Stein, as well as extended analyses of the works of Ernest Hemingway, John Steinbeck, and Richard Wright.