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The Sounds of Feminist Theory.
・ISBN 978-0-7914-4013-1 cloth US$ 99.00
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・ISBN 978-0-7914-4014-8 paper US$ 35.95
￥8,422.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
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| 著者・編者 | Salvaggio, Ruth, |
|---|---|
| シリーズ | SUNY Series in Feminist Criticism and Theory |
| 出版社 | (State U. New York Pr., US) |
| 出版年月 | 1998 |
| ページ数 | 192 pp. |
| 言語 | ENG |
| ニュース番号 | ＜451-L92＞ |
解説
Reads a wide range of contemporary feminist theorists to show how they invest in sound as a medium of critical thought.
In The Sounds of Feminist Theory, Ruth Salvaggio follows a distinctive turn toward the oral and evocative qualities of language in feminist theory. Questioning paradigms of female voice and varied feminist claims to language, she suggests that feminist theorists listen to the ways in which words mean more than they ostensibly signify, the ways in which language and epistemology-like sound-are mobile. She calls this theoretical project "Hearing the O," a process of listening for and seizing those wavering qualities of language that invite changes, often remarkable alterations, in how we think.
A range of contemporary feminist critical writers are discussed: Gloria Anzaldua, Judith Butler, Helene Cixous, Rachel Blau DuPlessis, Jane Flax, Susan Griffin, Donna Haraway, Luce Irigaray, Julia Kristeva, Elaine Pagels, Adrienne Rich, Eve Sedgwick, Joan Scott, Jane Tompkins, Trinh Minh-ha, and Patricia Williams. Their investment in the oral modulations of words marks not only a provocative engagement with the incommensurability of contemporary theory, but also a turn to the ambiguous and tangled qualities of language-"poetic literacy"-that generate an evocative epistemology.