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Cinema, Theory, and Political Responsibility in Contemporary Culture.
・ISBN 978-0-521-58130-1 hard GB£ 95.00
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・ISBN 978-0-521-58908-6 paper GB£ 37.00
￥11,721.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-0-511-58277-6
| 著者・編者 | McGee, Patrick, |
|---|---|
| シリーズ | Literature, Culture, Theory 24 |
| 出版社 | (Cambridge U. Pr., UK) |
| 出版年月 | 1997 |
| ページ数 | 245 pp. |
| 言語 | ENG |
| ニュース番号 | ＜432-1303＞ |
解説
This 1997 book explores the political significance of aesthetic analysis in the context of cultural studies. It applies the theories of Adorno, Derrida, and Lacan to film studies, and asks how political responsibility can be reconciled with the concept of the university as a democratic institution. Art and the university, Patrick McGee claims, share a common feature: they are commonly regarded as autonomous realms that resist the determination of economic and political interests, while still playing a crucial role in ethical and political discourse. Through detailed reference to Neil Jordan's film The Crying Game, McGee shows how film can be both a product and a critique of the culture industry. He goes on to analyse the function of the university in producing interpretations of such highly political art forms and in determining the limits of critical discussion. McGee links Adorno with Derrida to provide a new route through cultural studies and the claims of political criticism.