Trousson, Raymond / Vercruysse, Jeroom (dir.), Dictionnaire general de Voltaire. (Champion classiques, references et dictionnaires 18) 1272 p. 2020:10 (Champion, FR) <670-9>
ISBN 978-2-38096-016-7 paper ¥7,064.- (税込) EUR 38.00

Boyle, Raymond / Haynes, Richard, Streaming the Formula 1 Rivalry: Sport and the Media in the Platform Age. (Communication, Sport, and Society 10) X, 202 pp. 2024:3 (P. Lang, SZ) <725-904>
ISBN 978-1-4331-9818-2 hard ¥30,113.- (税込) SFR 118.00
ISBN 978-1-4331-9817-5 paper ¥10,718.- (税込) SFR 42.00

Taking the global sport of Formula 1 (F1) motor racing as a sustained case study, Streaming the Formula 1 Rivalry examines how the relationship between the sport and the media has evolved in this new digital environment. Starting with a map of the political economy of F1 and its complex commercial relationship with sponsors, investors, and the media, shows how new media owners have aimed to use social and digital media strategies to deepen the global reach of a television sport previously thought of by many as in decline. Drawing on original interviews with key stakeholders across the media and sports industry, including journalists, broadcasters, and those working within F1, this book places the sport within its broader historical context, identifying the central role that the media, particularly television has played in its history, structure, and governance. This book also explores the range of media representations and key narratives that the sport offers and how its relationship with other television genres, such as the Netflix series Drive to Survive is impacting the nature of the sport and its audience. As sport enters a new age of digital engagement, this investigation of the intense relationship between F1 and the creative industries shows us not just how the media are changing, but also that what we understand by the term "sport" is also being altered. This is a penetrating case-study of media-sport relations in the context of major technical, cultural, and economic change. Drawing on a wide range of sources, Boyle and Haynes offer a hugely informative but also enjoyable account of the challenges and the opportunities surrounding Formula 1 as it undergoes inter-related shift s in the terms of its organization and in the scale and character of its media visibility. The authors get ‘inside’ their topic with clarity and depth. ? John Corner, Professor of Communications, University of Leeds Formula 1 has witnessed a huge transformation in recent years. Streaming the Formula 1 Rivalry successfully unpicks the way in which the changing global media landscape has both shaped and communicated the sport’s growth. Whether through the Netflix Effect or social media’s ability to turn any fan into a pundit, influencer or content creator, this book explores the complex factors impacting the way in which the narratives and storylines around Formula 1 are built. Streaming the Formula 1 Rivalry makes essential reading for any student of global sports media or Formula 1. Uniquely, it explains the media revolution which has taken place in one of world most sophisticated sporting competitions. ? Mark Gallagher, Formula 1 Executive and Managing Director, Performance Insights

Hoyt, Eric / Conway, Kelley (eds.), Global Movie Magazine Networks. 447 pp. 2025:1 (U. California Pr., US) <725-952>
ISBN 978-0-520-40276-8 paper ¥7,265.- (税込) US$ 34.95 *

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This groundbreaking collection of essays from leading film historians features original research on movie magazines published in China, France, Germany, India, Iran, Latin America, South Korea, the U.S., and beyond. Vital resources for the study of film history and culture, movie magazines are frequently cited as sources, but rarely centered as objects of study. Global Movie Magazine Networks does precisely that, revealing the hybridity, heterogeneity, and connectivity of movie magazines and the important role they play in the intercontinental exchange of information and ideas about cinema. Uniquely, the contributors in this book have developed their critical analysis alongside the collaborative work of building digital resources, facilitating the digitization of more than a dozen of these historic magazines on an open-access basis.

Jackson, Myles W., Broadcasting Fidelity: German Radio and the Rise of Early Electronic Music. 328 pp. 2024:9 (Princeton U. Pr., US) <725-954>
ISBN 978-0-691-26072-3 hard ¥9,355.- (税込) US$ 45.00 *

A landmark history of early radio in Germany and the quest for broadcast fidelityWhen we turn on a radio or stream a playlist, we can usually recognize the instrument we hear, whether it's a cello, a guitar, or an operatic voice. Such fidelity was not always true of radio. Broadcasting Fidelity shows how the problem of broadcast fidelity pushed German scientists beyond the traditional bounds of their disciplines and led to the creation of one of the most important electronic instruments of the twentieth century.In the early days of radio, acoustical distortions made it hard for even the most discerning musical ears to differentiate instruments and voices. The physicists and engineers of interwar Germany, with the assistance of leading composers and musicians, tackled this daunting technical challenge. Research led to the invention in 1930 of the trautonium, an early electronic instrument capable of imitating the timbres of numerous acoustical instruments and generating novel sounds for many musical genres. Myles Jackson charts the broader political and artistic trajectories of this instrument, tracing how it was embraced by the Nazis and subsequently used to subvert Nazi aesthetics after the war and describing how Alfred Hitchcock commissioned a later version of the trautonium to provide the sounds of birds squawking and flapping their wings in his 1963 thriller The Birds.A splendid work of scholarship by an acclaimed historian of science, Broadcasting Fidelity reveals how the interplay of science, technology, politics, and culture gave rise to new aesthetic concepts, innovative musical genres, and the modern discipline of electroacoustics.

Al Obeidli, Noura, Emirati Women Journalists: Bargaining with Patriarchy in Search of Equality. (Routledge Focus on Journalism Studies) 152 pp. 2024:7 (Routledge, UK) <725-981>
ISBN 978-1-032-78541-7 hard ¥14,010.- (税込) GB￡ 48.99 *

This book presents a rare investigation of the media landscape and gender dynamics in Emirati newsrooms, with a socio-cultural focus on the influence of tribal patriarchalism in determining Emirati women's role as newsmakers.Shedding light on the stories of 40 Emirati and Arab expat journalists, including pioneer Emirati women journalists, the book offers insight into how these journalists construct gender differences and identity and how this influences their everyday attitudes, conversations, routines, and journalistic practices. The empirical study is supplanted with ethnographic explanations of the newsroom norms and journalistic practices from the author, who used participant observation inside two major news centres in Abu Dhabi and Dubai to understand the socio-cultural factors that shape the lives of Emirati and Arab expat journalists, their thoughts and beliefs about the media environment in the Emirates, and their opinions on authoritarian political control, censorship, and outdated media law.This book will interest students and scholars of journalism and journalistic practice, media policy, international journalism, gender studies, and Middle East studies.

Andersen, Robin / Higdon, Nolan / Macek, Steve (eds.), Censorship, Digital Media, and the Global Crackdown on Freedom of Expression. (Liberatory Stories and Voices from Community Colleges 2) 444 pp. 2024:3 (P. Lang, SZ) <725-982>
ISBN 978-1-4331-9975-2 paper ¥17,098.- (税込) SFR 67.00

Censorship, Digital Media and the Global Crackdown on Freedom of Expression explores the rising global phenomenon of censorship across various media platforms, in schools, universities, and public spaces. It documents physical assaults, legal restrictions, and the exclusion of critical topics from public discourse. This volume analyzes contemporary censorship methods, emphasizing the anti-democratic implications and the threat to civil society, human rights, and global democracy. It delves into the dangerous consequences of suppressing dialogue, information dissemination, and educational materials, providing insight into the challenges faced by critical media literacy and activists. The book advocates for policy alternatives, including economic restructuring of media, global agreements on freedom of the press, and educational strategies to preserve global freedom of expression.

Badescu, Gabriel / Radu, Bogdan Mihai et al. (eds.), Media Literacy, Media Education and Democracy in Central and Eastern Europe. 118 pp. 2024:3 (P. Lang, SZ) <725-983>
ISBN 978-3-631-89900-7 hard ¥8,421.- (税込) SFR 33.00

This book explores the state of media literacy and media education in several Central and Eastern European countries. The main argument centers around the connection between media literacy and media education on the one hand, and liberal democratic values on the other. Data collected through a European Union funded project shows that diversity is the key word when it comes to how countries prioritize media literacy and integrate media education into school curricula. Although national governments have been fairly active in reforming the education system to include media education, civil society is the most impactful actor through the implementation of various projects linking media literacy with democratic values.

Bardgett, Suzanne / Kind-Kovacs, Friederike et al. (eds.), Transnational Radio Monitoring in the Twentieth Century: Practices of Propaganda and Surveillance in Europe and Beyond, 1930-1990. 102 pp. 2024:9 (Routledge, UK) <725-984>
ISBN 978-1-032-81754-5 hard ¥42,900.- (税込) GB￡ 150.00 *

Radio monitoring is an important feature of broadcasting history and monitoring reports form a treasure trove for historians. This volume offers six case studies that provide new insights on the importance of radio monitoring during the Second World War and the Cold War.Radio broadcasting is not only about transmission, but also about listening. From the start of the medium's history, radio organisations institutionalised services to monitor the broadcasts of stations from all over the globe and write daily reports about them. This act of listening provided valuable information about the situation in various parts of the world or insights into the communication strategies of broadcasters. As a result, collections of monitoring reports are bulky, containing countless documents which form a treasure trove for radio historians. At the same time researchers need to be aware that these sources are far from neutral: monitoring services often serve clear geopolitical objectives in context of conflict situations. This volume explores the rich history of radio monitoring during the Second World War and the Cold War. As such it offers original case studies that shed light on previously unknown radio histories. Moreover, all the authors reflect on the use of monitoring reports as a historical source and as such provide methodological guidelines.This volume will be a key resource for academics, researchers, and advanced students of media history, war studies, media studies, sociology, and cultural studies. It was originally published in Media History.

Bradley, Lisa / Heywood, Emma (eds.), Journalism as the Fourth Emergency Service: Trauma and Resilience. 258 pp. 2024:4 (P. Lang, SZ) <725-987>
ISBN 978-1-63667-200-7 paper ¥9,952.- (税込) SFR 39.00

Journalists have often been considered the "fourth emergency service". They are first on the scene, alongside paramedics, fi re and police, running towards danger rather than away, and providing independent, veritable and crucial information in the public interest. And yet, unlike frontline workers, little (if any) counselling or training is offered to journalists on how to deal with the horrors they witness, and the trauma they absorb from being at the forefront of human suffering. Further, limited to no training is given to student journalists on how to prepare themselves for trauma, be it from war scenes to the everyday "death knock". New research is demonstrating a rise in post-traumatic stress disorder amongst journalists resulting from the "everyday" trauma they encounter. There is also a noticeable increase in reluctance from new journalists to undertake emotionally distressing assignments. Editors in industry are now calling for educators to invest in curricula that centre around understanding how to cope with distress and trauma, and why work like this is vital to facilitate the work journalists do hold power to account. This book investigates the cause and effect of trauma reporting on the journalist themselves and provides a toolkit for training journalists and practitioners to build resilience and prepare themselves for trauma. It draws on national and international experiences enabling readers to gain valuable insight into a range of contemporary issues and the contexts in which they may work. This edited book offers a blend of academic research studies, evidence-based practitioner interviews, and teaching resources drawing on the experiences of journalists and academics nationally and internationally. In this increasingly complex and challenging world, there is a real need to consider extra mental health support for journalists. This book is a very valuable addition to that debate. - Ian MacGregor, Editor Emeritus at the Telegraph and Chair of the Society of Editors. Journalists head towards danger when everyone else is running away. They see things that are the stuff of nightmares. They can be viciously trolled for telling the truth. The work is exciting and important - but there can be a heavy price to pay in trauma that can last a lifetime. This important book is essential reading for journalists and those concerned about their welfare. - Jonathan Grun, Emeritus Editor, Press Association. Journalism as the Fourth Emergency Service: Trauma and Resilience is a well-researched and insightful read for anyone wanting to enter the industry. The authors have carefully crafted the perfect guide to navigate new journalists through the new and ever- changing world. Their understanding and acknowledgement of the struggles and difficulties faced by journalists makes for an insightful and honest read about what to expect before entering any newsroom. I wish I had this before becoming a journalist. - Katie Ridley, Journalist ITV Anglia. An essential read for journalists at all stages of their career, this book is an invaluable resource for navigating the challenges both in and beyond the newsroom. It provides much- sought- after guidance that reporters have been yearning for, blending research- based insights with actionable advice - and will be beneficial for trainees and seasoned professionals alike. - Harriet Rose Gale, Head of Features (Digital and Print), SWNS Media Group.

Golob, Andreas / Haberl-Sherk, Ingrid (Hrsg.), Zeit und Zeitgeschehen in der periodischen Presse des 17.-19. Jahrhunderts: Fallstudien zu Perzeption und Reflexion. (Studien zur Geschichte europaeischer Periodika / Studies in the History of European Periodicals 4) 340 2024:4 (P. Lang, SZ) <725-995>
ISBN 978-3-631-91037-5 hard ¥20,671.- (税込) SFR 81.00

Die Beitrage des Sammelbands behandeln innovativ und vergleichend Fragen zu zeitgebundenen Phanomenen der periodischen Presse. Der zeitliche und mediale Rahmen spannt sich von Andreas Gryphius’ Perikopendichtung uber Zeitschriften und Kalender sowie das im Mittelpunkt stehende Zeitungswesen des 18. Jahrhunderts bis zum Feuilletonroman des Vormarz. Geographisch liegt der Fokus auf Mitteleuropa, dessen periodisches Pressewesen im behandelten Zeitraum eine wesentliche Ausweitung und Differenzierung erfuhr. Vor allem die Berichterstattung wird im Hinblick auf zentrale Phanomene wie Nachrichtenubermittlung, Aktualitat, Periodizitat, Beschleunigung und Entschleunigung in ihren materiellen und immateriellen Dimensionen untersucht, aber auch Wissensvermittlung und Rasonnement sowie das Anzeigenwesen und Paratexte kommen ins Blickfeld. Soweit auffindbar, werden auch archivalische Quellen in die Analysen einbezogen. Im Dreischritt Produktion, Distribution und Rezeption dominiert die erste Etappe.

Irwin, Stacey O., Survey of Media: Screens, Sounds, and Synergies. 208 pp. 2024:9 (Routledge, UK) <725-998>
ISBN 978-1-032-50250-2 hard ¥37,180.- (税込) GB￡ 130.00 *
ISBN 978-1-032-50249-6 paper ¥10,864.- (税込) GB￡ 37.99 *

An accessible and exciting new textbook that provides students with an in-depth historical and conceptual understanding of the nature and function of media in society.Stacey O. Irwin contextualizes media objects and experiences - including cinema, TV, phones, gaming, radio and podcasting, journalism, publishing, advertising, and more - into three descriptive sections: screens, sounds, and synergies. The text examines how technology is enfolded into the cultural process of contemporary media experience, exploring topics such as social media, augmented reality and other trends from the metaverse. It also reflects on the impact of legacy media and highlights instrumental moments in media history along the way. By examining media history from the perspective of future decision-making, this textbook explores how media technologies have a positive and negative sociocultural impact. This provides students with a more accessible entry point to the topic, and readers are left with a well-rounded understanding of media and the interplay between media, culture, technology, and society. Each chapter concludes with things to consider and additional takeaways to enhance student learning.This is an essential text for students taking classes such as Introduction to Mass Media, Survey of Media, Media History, Media and Society, and Media Culture.

Kim, Suk-Young, Millennial North Korea: Forbidden Media and Living Creatively with Surveillance. 256 pp. 2024:10 (Stanford U. Pr., US) <725-654>
ISBN 978-1-5036-1491-8 hard ¥22,869.- (税込) US$ 110.00 *
ISBN 978-1-5036-4087-0 paper ¥5,821.- (税込) US$ 28.00 *

North Korea may be known as the world's most secluded society, but it too has witnessed the rapid rise of new media technologies in the new millennium, including the introduction of a 3G cell phone network in 2008. In 2009, there were only 70,000 cell phones in North Korea. That number has grown tremendously in just over a decade, with over 7 million registered as of 2022. This expansion took place amid extreme economic hardship and the ensuing possibilities of destabilization. Against this social and political backdrop, Millennial North Korea traces how the rapidly expanding media networks in North Korea impact their millennial generation, especially their perspective on the outside world. Suk-Young Kim argues that millennials in North Korea play a crucial role in exposing the increasing tension between the state and its people, between risktakers who dare to transgress strict social rules and compliant citizens accustomed to the state's centralized governance, and between thriving entrepreneurs and those left out of the growing market economy. Combining a close reading of North Korean state media with original interviews with defectors, Kim explores how the tensions between millennial North Korea and North Korean millennials leads to a more nuanced understanding of a fractured and fragmented society that has been frequently perceived as an unchanging, monolithic entity.

Chatterjee, Tupur, Projecting Desire: Media Architectures and Moviegoing in Urban India. (Critical Cultural Communication) 256 pp. 2025:1 (New York U. Pr., US) <725-674>
ISBN 978-1-4798-2962-0 hard ¥18,503.- (税込) US$ 89.00 *
ISBN 978-1-4798-2964-4 paper ¥6,237.- (税込) US$ 30.00 *

How middle-class women transformed India's screen and exhibition industries Since the late 90s, multiplexes in India have almost always been located inside malls, rendering it impossible to inhabit one space without also inhabiting the other. Their prevalence coincides with a shift in the spectatorial imagination of India's mass audience-spaces that, for several preceding decades, had been designed for the subaltern male, but are now built for the consuming, globalized middle-class woman. By catering to the mutable desires and anxieties of a rapidly expanding and heterogeneous middle class, the mall-multiplex has radically altered the politics of theatrical space and moviegoing. Projecting Desire tells the story of this moment of historic transition as it played out across media industries, architecture and design, popular cinema, and public culture. Tupur Chatterjee highlights how the multiplex established a new link between media and architecture in the subcontinent, not only rewriting the relation between gender and urban space, but also changing the shapes of Indian cities. Projecting Desire locates the post-globalization transformation of India's screen and exhibition industries in a longer arc of ideas about urban planning and architecture, long mired in caste- and class-based gendered anxieties. It argues that the architectural mediations of India's moviegoing cultures are key to imagining, planning, and policing the contemporary media city. Chatterjee integrates industrial and organizational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival work with spatial and urban histories. Focusing on these new meccas of leisure and entertainment, Projecting Desire tracks the understudied nexus between new media architectures, cultures of public leisure, and popular cinema in the Global South.

El Guabli, Brahim / Hussein, Mostafa (eds.), Remembering Jews in Maghrebi and Middle Eastern Media. 234 pp. 2024:9 (Pennsylvania State U. Pr., US) <725-711>
ISBN 978-0-271-09755-8 hard ¥20,779.- (税込) US$ 99.95 *

This volume examines the cultural legacy of Jewish emigration from the Maghreb and the Middle East in the years following 1948. Drawing on the remarkable cinematic and literary output of the last twenty years, this collection posits loss as a new conceptual framework in which to understand Jewish-Muslim relations. Previous studies of Jewish emigration have followed the mass departure of Jews, but the contributors to this book choose to remain behind and trace the contours of Jewish absence in Maghrebi and Middle Eastern societies. Attuned to loss in this way, the cultural memories of Jewish-Muslim life transcend the narratives of turmoil, taboo, and nostalgia that have dominated Muslim and prevalent scholarly perspectives on Jewish emigration.Read as a whole, the collection affords an uncommon opportunity to mourn and heal through a nuanced reckoning with the absence of Jews from communities in which they had lived for millennia. Its wide geographic reach and interdisciplinary nature will speak both to scholars and lay readers in Amazigh studies, Arabic studies, Middle Eastern studies, Jewish studies, memory studies, and a host of other disciplines.In addition to the editors, the contributors to this volume are Iskandar Ahmad Abdalla, Abdelkader Aoudjit, Ilker Hepkaner, Sarah Irving, Stephanie Kraver, Lital Levy, Nadia Sabri, and Lior B. Sternfeld.

Chitanana, Tenford, Digital Activism in Zimbabwe: Dissent and Hegemony in the Information Age. (Routledge African Media, Culture and Communication Studies) 286 pp. 2024:9 (Routledge, UK) <725-739>
ISBN 978-1-032-74933-4 hard ¥37,180.- (税込) GB￡ 130.00 *

This book investigates the role of the internet and social media in political processes in non-western and non-democratic contexts. Using Zimbabwe as a case study, the book demonstrates how activists and ordinary people deploy social media, particularly Facebook, to subvert an enduring hegemonic state. However, the book also highlights how authoritarian regimes are in turn learning and adapting to the information age, challenging the impact of digital activism. Studies of digital activism in the Global South are often centred around democracy, but this book paints a more complex picture, examining the role and effect of digital activism in challenging state hegemony in authoritarian contexts. The book notes that while communication technologies help mediate activism, they are also simultaneously constrained by pre-existing and emergent challenges tied to the social and political context and the inherent limitations of those technologies. The book investigates the tactics used by digital activists, the contextual factors and restrictive political environment they operate in, including the role of pro-government activists, and ultimately, the impact of digital activism given these constraints. From the case of Zimbabwe, the book builds out a broader theoretical analysis of the evolution of 'third world protest' in the digital age, examining the limitations of activists' actions and the ideological deficit in online activism to ferment a virulent counter hegemony.

Daros, Otavio, Writing Journalism History: The Press and Academia in Brazil. (Routledge Studies in the History of the Americas) 268 pp. 2024:8 (Routledge, UK) <725-766>
ISBN 978-1-032-76248-7 hard ¥37,180.- (税込) GB￡ 130.00 *

This book examines the trajectory of the historical knowledge about journalism produced by its scholars in Brazil, from the early accounts originating from the Brazilian Historical and Geographic Institute in the 19th century to the specialized academic field at the turn of the 21st century.The history of journalism historiography shows that during the Empire and the Old Republic, the press was idealized as a means of education and a form of mirror of events. After the New State, there was a tendency to view it as an instrument for manipulating public opinion and a suspicious documentary source in the eyes of historians. Finally, with the end of the Military Regime, and with the emergence of the area of communication studies, it came to be analyzed as an element of mediation of public debate and a space for sociability. Regarding this last phase, Daros argues that despite aspirations to subordinate journalism history to communication history, the field still lacks more significant historiographical undertakings beyond print media.This volume is aimed at scholars of journalism studies and media history, the historiography of the press and journalism, the history of historiography, and Brazilian historiography.

メディア倫理　第12版
Christians, Clifford G. / Fackler, Mark et al., Media Ethics: Cases and Moral Reasoning. 12th ed. 514 pp. 2024:6 (Routledge, UK) * paper 2024 <725-81>
ISBN 978-1-032-39140-3 hard ¥60,060.- (税込) GB￡ 210.00 *
ISBN 978-1-032-39139-7 paper ¥31,460.- (税込) GB￡ 110.00

Through original case studies and analyses of real-life media experiences, Media Ethics challenges readers to think analytically and critically about ethical situations in mediated communication.This textbook provides a comprehensive introduction to the theoretical principles of ethical philosophies, facilitating awareness and critical reflection of ethical issues. In each chapter, the authors examine case studies spanning several continents and geopolitical and cultural contexts. To provide a framework for analyzing the cases and exploring the steps in moral reasoning, the book introduces the Potter Box, a powerful tool for moral analysis. Focusing on a wide range of ethical issues faced by media practitioners and news organizations, the cases in this new twelfth edition include the most prominent concerns in journalism, broadcasting, advertising, public relations, and entertainment today. It explores new topics such as the use of ChatGPT in newsrooms, the privacy implications of biometric technologies, the role of public relations in political campaigns, and advertisers' approach to sustainability and climate change.This core textbook is ideal for classes in media and communication ethics, journalism, public relations, advertising, entertainment media, and popular culture.Online instructor and student resources, including video introductions to each chapter, PowerPoint slides, sample discussion and exam questions, and links to further resources, are available at www.routledgelearning.com/mediaethics.

Trottier, Daniel / Huang, Qian / Gabdulhakov, Rashid, Digital Media, Denunciation and Shaming: The Court of Public Opinion. (Routledge Focus on Communication and Society) 138 pp. 2024:6 (Routledge, UK) <725-880>
ISBN 978-1-032-60272-1 hard ¥15,726.- (税込) GB￡ 54.99 *

This book offers a common set of concepts to help make sense of online shaming practices, accounting for instances of discrimination and injury that morally divide readers and at times risk unjust and disproportionate harm to those under scrutiny.Digital media denunciation has become a primary form of expression and entertainment across media environments, with new socially desirable forms of accountability under movements such as #MeToo and #BlackLivesMatter addressing longstanding forms of systematic and interpersonal abuse. Building on recent scholarship on shaming, surveillance and denunciation in fixed contexts, this study generates a cross-contextual and multi-actor account of practices like 'cancel culture', 'doxing' and 'status degradation ceremonies'. It addresses instances of moral ambivalence by discussing how digital shaming becomes normalised and embedded across socio-cultural and institutional settings. The authors establish key actors and practices in online denunciations of individuals in a range of cases and contexts, including responses to COVID-19, political polarisation, and social justice movements, as well as more local and quotidian circumstances. They draw from empirical data including interviews with nearly 100 individuals targeted by mediated shaming and/or involved in these practices, as well as ethnographic observations of digital vigilantism and discourse analysis of press coverage and online comments relating to online shaming. Diverse applications and contexts, including China, the UK, Russia, and Central Asia, are considered, advancing an ambivalent understanding of media and denunciation that reconciles progressive and regressive practices, as well as celebratory and critical accounts of these practices.This book is recommended reading for advanced students and researchers of online visibility and harm across media studies, cultural studies and sociology.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.This research was funded by the Dutch Research Council (NWO), project number 276-45-004 and file number 36.201.097.

Walther, Joseph B. / Rice, Ronald E. (eds.), Social Processes of Online Hate. 364 pp. 2024:7 (Routledge, UK) <725-486>
ISBN 978-1-032-75047-7 hard ¥42,900.- (税込) GB￡ 150.00 *
ISBN 978-1-032-75042-2 paper ¥11,436.- (税込) GB￡ 39.99 *

This book explores the social forces among and between online aggressors that affect the expression and perpetration of online hate. Its chapters illustrate how patterns of interactive social behavior reinforce, magnify, or modify this expression. It also considers the characteristics of social media that facilitate social interactions that promote hate and facilitate relationships among haters. Bringing together a range of international experts and covering an array of themes, including woman abuse, antisemitism, pornography, radicalization, and extreme political youth movements, this book examines the specific social factors and processes that facilitate these forms of hate and proposes new approaches for explaining them.Cutting-edge, interdisciplinary, and authoritative, this book will be of interest to sociologists, criminologists, and scholars of media, communication, and computational social science alike, as well as those engaged with hate crime, hate speech, social media, and online social networks.

J.カラン他著　責任のない権力－英国の新聞・放送・インターネット　第9版
Curran, James / Seaton, Jean, Power Without Responsibility: Press, Broadcasting and the Internet in Britain. 9th ed. 582 pp. 2024:9 (Routledge, UK) <725-530>
ISBN 978-1-032-11199-5 hard ¥37,180.- (税込) GB￡ 130.00 *
ISBN 978-1-032-11201-5 paper ¥11,436.- (税込) GB￡ 39.99 *

This book attacks the conventional history of the press as a story of progress; offers a critical defence and history of public service broadcasting; provides a myth-busting account of the internet; gives a subtle account of the impact of social media; and explores key debates about the role and politics of the media.Power Without Responsibility has become a standard textbook on media and other courses, but it has also gone beyond an academic audience to reach a wider public. Hailed as a book that has 'cracked the canon' by the Times Higher Educational Supplement, it has been translated into five languages. In 2019, it was awarded the International Communication Association's Fellows Book Award. This ninth edition is based on a major overhaul of its content to take account of new developments (such as generative AI) and new scholarship in the field. It also contains a new chapter on the transformed opportunity for a reformed and buccaneering public service broadcasting in the face of automated misinformation and social division, locally, nationally and internationally.This trailblazing text is essential reading for all students and scholars interested in British media and contemporary media and society.

Koc-Michalska, Karolina / Klinger, Ulrike et al. (eds.), Dissonant Public Spheres: Communication, Campaigns and Crises. 244 pp. 2024:8 (Routledge, UK) <725-531>
ISBN 978-1-032-76653-9 hard ¥41,470.- (税込) GB￡ 145.00 *

This book covers various aspects of political communication in dissonant public spheres and their impact on democratic processes. It expands research on campaigning beyond assumptions of well-functioning political systems, to better understand how the erosion of institutional legitimacy and trust affects communication processes.The volume approaches the concept of dissonant public spheres from four divergent perspectives: as instrumental threats to democracy, as communication performed by political actors, forms of engagement by citizens, and the nature of political conflicts. New perspectives are developed on how political candidates, organizations, and parties optimize their behaviour within dissonant political environments. These disrupted online communication environments reshape public spheres and change citizen engagement in ways that amplify political conflicts and crises. Chapters also examine the role of data-driven campaigning and address how limited access to platform data affects our understanding of dissonant public spheres. A significant new contribution to the field of political communication, this volume will be a key resource for scholars and researchers of communication studies, politics, media studies and sociology. The chapters in this book were originally published in Political Communication.

Perusko, Zrinjka (ed.), European Media Systems for Deliberative Communication: Risks and Opportunities. (Routledge Studies in Media, Communication, and Politics) 216 pp. 2024:7 (Routledge, UK) <725-532>
ISBN 978-1-032-76000-1 hard ¥41,470.- (税込) GB￡ 145.00 *

European Media Systems for Deliberative Communication explores how four dimensions of national media systems - the legal framework for freedom of expression and information, media accountability, journalism and audience media usage and competencies - contribute to or are detrimental to the success of deliberative communication.Drawing on a study of 14 European countries and their media systems, the volume provides comparative and individual perspectives to examine the social consequences of various types of media systems. By using fsQCA (fuzzy set qualitative comparative analysis), the authors relate deliberative communication to the legal framework for freedom of expression and freedom of information, media accountability, journalism and media usage and media competencies. The book shows how different combinations of conditions and contexts figure as risks or opportunities that are detrimental to, or supportive of, deliberative communication, measured with an original index on a European level.This book will interest scholars and students in communication studies, political communication, media and society, media sociology, global media studies, European Studies and journalism.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

deWaard, Andrew, Derivative Media: How Wall Street Devours Culture. 282 pp. 2024:9 (U. California Pr., US) <725-206>
ISBN 978-0-520-39247-2 paper ¥7,265.- (税込) US$ 34.95 *

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Sequels, reboots, franchises, and songs that remake old songs-does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, Derivative Media offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music-and provides a plan to reverse this dire threat to culture.

Jack, Caroline, Business as Usual: How Sponsored Media Sold American Capitalism in the Twentieth Century. 264 pp. 2024:10 (U. Chicago Pr., US) <725-324>
ISBN 978-0-226-83512-9 hard ¥23,908.- (税込) US$ 115.00 *
ISBN 978-0-226-83514-3 paper ¥6,237.- (税込) US$ 30.00 *

How corporations used mass media to teach Americans that capitalism was natural and patriotic, exposing the porous line between propaganda and public service. Business as Usual reveals how American capitalism has been promoted in the most ephemeral of materials: public service announcements, pamphlets, educational films, and games-what Caroline Jack calls "sponsored economic education media." These items, which were funded by corporations and trade groups who aimed to "sell America to Americans," found their way into communities, classrooms, and workplaces, and onto the airwaves, where they promoted ideals of "free enterprise" under the cloaks of public service and civic education. They offered an idealized vision of US industrial development as a source of patriotic optimism, framed business management imperatives as economic principles, and conflated the privileges granted to corporations by the law with foundational political rights held by individuals. This rhetoric remains dominant-a harbinger of the power of disinformation that so besets us today. Jack reveals the funding, production, and distribution that together entrenched a particular vision of corporate responsibility-and, in the process, shut out other hierarchies of value and common care.

Basin, Ken, The Business of Television. Updated & Expanded 2nd ed. 680 pp. 2024:9 (Routledge, UK) <725-329>
ISBN 978-1-032-01299-5 hard ¥41,470.- (税込) GB￡ 145.00 *
ISBN 978-1-032-01298-8 paper ¥11,150.- (税込) GB￡ 38.99 *

In this expanded and updated second edition, esteemed television executive and Harvard lecturer Ken Basin offers a comprehensive and readable overview of the business, financial, and legal structure of the U.S. television industry, as well as its deal-making norms.The Business of Television explores the basic structure and recent history of the television and streaming business, rights and talent negotiations, intellectual property, backend deals, licensing, international production, and much more. This expanded and updated second edition also features an in-depth exploration of the evolution of the streaming business, offers valuable new insights about negotiation, reflects the historic impacts of the 2020 Covid-19 pandemic and 2023 WGA and SAG-AFTRA strikes, addresses the intersection of artificial intelligence technology and intellectual property law, and provides a greater breadth and depth of technical material about a wide variety of common television deals. The book also includes breakdowns after each chapter summarizing major deal terms and points of negotiation, a significantly expanded glossary, an extensive list of referenced articles and cases, and a wealth of real-world examples to help readers put the material into context.Written for a diverse audience of working or aspiring creative professionals, executives, agents, managers, lawyers, and students, The Business of Television is the definitive reference guide for the ever-changing television industry.

Griffey, Julia V., Digital Media Production for Beginners. 214 pp. 2024:9 (Routledge, UK) <725-374>
ISBN 978-1-032-61145-7 hard ¥41,470.- (税込) GB￡ 145.00 *
ISBN 978-1-032-61143-3 paper ¥10,864.- (税込) GB￡ 37.99 *

Written for the non-specialist media producer, this book offers a practical and engaging guide to basic digital media production using modern equipment and software.As media production tools and software become more pervasive and traditional media jobs scarcer, today's media professionals are now expected to be content creators across multiple forms of media, often working with little more equipment than a smartphone. In this accessible manual, Griffey explains how well-crafted media can help sell products, bolster subscriptions, and influence public opinion-and how to go about crafting it in a landscape of high-speed social media consumption. Topics covered include the basics of photography, film, video, and audio production, as well as animation and building websites. Readers will learn not just how to shoot or record content, but also how to edit, compress, and share it, considering the most appropriate file types, equipment, software, and platforms to use for each scenario. After reading this book, students will understand best practices associated with almost every area of media production and possess the essential skills to get the job done.This book is an essential companion for students in communication disciplines, including PR, advertising, journalism, and marketing, looking for a solid grounding in digital media production to prepare them for the competitive job market.

Yi, Hyangsoon / Yong Jin, Dal (eds.), Buddhism, Digital Technology and New Media in Korea: Uisang's Ocean Seal Diagram. (Routledge Studies in Asian Religion and Philosophy) 192 pp. 2024:9 (Routledge, UK) <725-166>
ISBN 978-1-032-75428-4 hard ¥38,610.- (税込) GB￡ 135.00 *

Buddhism, Digital Technology and New Media in Korea introduces Uisang (625-702), a seminal figure in East Asian religion who founded the Korean Hwaom school of Buddhism, from various angles by placing his thought in the interdisciplinary and intercultural context of the twenty-first century.The book analyzes the scope of Uisang's teachings through a study of his Ocean Seal Diagram with reference to digital technology and poetics. It attempts to identify diverse intersections between Uisang's thought and Western ideas, elucidating the diagram's potential as a meta-theory applicable to various academic fields in view of unprecedented changes in human life brought forth by the digital revolution. Contributors to the book present comprehensive and in-depth analyses of the dynamic applicability as well as persistent traits of the Ocean Seal Diagram in the AI era. Inspired by the creative potential of the diagram, the chapters unravel the points of agreement and disagreement between Hwao Buddhism and contemporary intellectual currents, promising to take a transregional and transhistorical dialogue to the new level suitable to the ever-changing digitalized global environment.This book will be of interest to researchers in a wide range of disciplines such as Religious Studies, Philosophy, Korean Studies, Media Studies, Cultural Studies, Digital Humanities, Anthropology, and Globalization Studies, among others.

Jelusic, Iva, Gender and World War II in the Yugoslav Media. (Routledge Histories of Central and Eastern Europe) 300 pp. 2024:9 (Routledge, UK) <725-1001>
ISBN 978-1-032-60542-5 hard ¥38,610.- (税込) GB￡ 135.00 *

This book presents an analysis of the cultural memory of women's participation in the Yugoslav People's Liberation Struggle (1941-1945), with a particular focus on the figure of the female soldier. It examines how this subject was treated in socialist Yugoslavia's popular printed press and how it contributed to the creation of the figure of the Yugoslav New Woman.By examining four popular magazines, this volume aims to reveal the variety of understandings of women's unprecedented level of wartime engagement and its relevance in creating the conditions for the emergence and development of the New Woman in socialist Yugoslavia. The book delves into the roles and societal impact of these women as portrayed in the printed press from the end of World War II until the watershed moment of socialist Yugoslavia's history: the death of Josip Broz Tito in 1980.This book is aimed at students, scholars, and researchers interested in women's and gender history in state socialist countries. Its examination of print magazines, an understudied aspect of Yugoslav media, will also be of interest to media and communication scholars.

ブルデューのメディア研究
Lindell, Johan, Bourdieusian Media Studies. (Routledge Focus on Media and Cultural Studies) 160 pp. 2024:7 (Routledge, UK) <725-1004>
ISBN 978-1-032-42117-9 hard ¥14,296.- (税込) GB￡ 49.99 *

Bourdieusian Media Studies illustrates the merits of Pierre Bourdieu's cultural sociological approach in the field of media studies, explicating exactly what a "Bourdieusian" analysis of media would entail, and what new understandings of the digital media landscape would emerge from such an analysis.The author applies the Bourdieusian concepts of social field, capital, and habitus to understand the social conditions of media and cultural production, media users' practices and preferences, and the power dynamics entailed in social media networks. Based on a careful illumination of Bourdieu's concepts, epistemological assumptions, and methodological approach, the book presents a range of case studies covering television production, the field of media studies itself, media use, and social media networks.Illustrating the craft of Bourdieusian media studies and shedding new light on key dynamics of digital media culture, this book will appeal to scholars and students working in media studies, media theory, sociology of media, digital media, and cultural production.

Miconi, Andrea, Europeans and the Media: Between Global and Local. (Routledge Research in Cultural and Media Studies) 224 pp. 2024:7 (Routledge, UK) <725-1005>
ISBN 978-1-032-74370-7 hard ¥41,470.- (税込) GB￡ 145.00 *

This book investigates the relationship between the process of Europeanization - the expected rise of a common culture - and the role played by the media in the different regions.Drawing on a comparative model, the analysis is structured around frameworks related to the action of the media in shaping national identities; to the world-system theory, based on the hierarchization of geographical spaces; and to the regional patterns identified in scientific literature. The analysis draws on data collected from numerous markets and across a variety of media formats, to detect the geographical pattern that results from the diffusion of different technologies and cultural contents: the national, the regional, the European, and the global.This nuanced and insightful volume will interest students and scholars in the field of communication studies, European studies, and comparative media studies.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non-Commercial (CC-BY-NC) 4.0 license.

Murdock, Graham / Brevini, Benedetta / Ward, Michael, News Corp: Empire of Influence. (Global Media Giants) 178 pp. 2024:8 (Routledge, UK) <725-1006>
ISBN 978-1-032-18032-8 hard ¥15,440.- (税込) GB￡ 53.99 *

A comprehensive scholarly look at the dominance, power, and influence of News Corp as one of the most potent communication giants of current times.Drawing on a wealth of empirical evidence, this book offers an authoritative, wide-ranging, and accessible analysis of the development, operations, and political influence of the most widely commented on media company of modern times, directed by the world's most famous media mogul, Rupert Murdoch. It details News Corp's ownership and control, traces its global expansion in print, television, and film, examines the crises that have prompted sell-offs, withdrawals, and retrenchment, and explores losses and gains in its responses to the rise of digital media. The book explores Rupert Murdoch's close relations with successive prime ministers and presidents, examines the mobilisation of his news outlets to make and break political reputations, and details the consistent promotion of right-wing populist ideology on a range of key issues across the company's tabloid outlets.This is an invaluable resource to students and scholars of global media industries, the political economy of media, media policy, and media and politics.

Socolovsky, Jerome, Sound Reporting: The NPR Guide to Broadcast, Podcast and Digital Journalism. 2nd ed. 368 pp. 2024:11 (U. Chicago Pr., US) <725-1008>
ISBN 978-0-226-82466-6 paper ¥4,677.- (税込) US$ 22.50 *

An indispensable guide to audio journalism grounded in NPR's journalistic values and practices, with tips and insights from its top reporters, hosts, editors, producers, and more. A lot has changed in media in recent years, but one thing that remains steadfast is National Public Radio's (NPR) position as a trusted source of news in the United States. Now producing dozens of shows and podcasts, plus livestreams and coverage on other media platforms, NPR is the leading authority on reporting, writing, and delivering audio news and storytelling to today's diverse audiences. In this completely revised guide, audio journalism trainer Jerome Socolovsky offers a look into just how NPR does it, following the same journey a story would from idea to the moment it reaches its listeners. Based on more than eighty interviews with producers, reporters, editors, hosts, and other NPR staffers, Sound Reporting reveals how stories get pitched; how they are reported, produced, written, edited, voiced, and tailored to multiple media formats; and how shows and podcasts are put together. It begins with a presentation of NPR's values and includes a new chapter on journalist safety, a topic of timely importance. Podcasts, now part of the mainstream of the media universe, are treated alongside traditional programs throughout. In these pages, the voices of NPR staff offer a glimpse into their profession. Discover how correspondent Ruth Sherlock overcame seemingly insurmountable odds as she raced to the scene of a devastating earthquake in Turkey, the four main ways Ramtin Arablouei incorporates music into podcasts, and how "Weekend Edition" host Ayesha Rascoe touches listeners so deeply she received a pair of homemade potholders in the mail from one of them. Reading this book is like sitting in a room full of top-notch producers, seasoned correspondents, trusted hosts, and rigorous editors-all telling you inspiring stories about their craft to help you learn from their experience. At a time when the legitimacy and authority of journalism are under critique, transparency into how the news is made is more important than ever. This book offers a fascinating look behind the scenes at a premier public media organization and will be a trusted resource for anyone in or exploring a future in audio journalism.